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Jane Jacobs and the Craft of Fiction

The Guardian’s  is re-reading The Death and Life of Great American Cities to mark the fiftieth anniversary. While doing so, he comments that Jane Jacobs’s book captures not just the rich density of life, but the craft of fiction.

Here are a few passages from his article:

Rereading: The Death and Life of Great American by Jane Jacobs

Rigorous and polemical: Jacobs in Washington Square Park, New York, 1963.
Photograph: Fred W McDarrah/Getty Images

Jacobs, who died in 2006, never published any fiction herself, but she certainly had a novelist’s sensitivity to human relations. She argues in Death and Life, for instance, that one of the paradoxical advantages of urban existence is privacy. In contrast to the suburbs, a dense neighbourhood has lots of convenient places to stop and chat, so you can be on friendly terms with dozens of who live or work near your home without ever feeling the slightest obligation to invite any of them inside for tea:

“Under this system, it is possible in a city-street neighbourhood to know all kinds of people without unwelcome entanglements, without boredom, necessity for excuses, explanations, fears of giving offence, embarrassments respecting impositions or commitments, and all such paraphernalia of obligations which can accompany less limited relationships.”

If these things had truly been lost to New York, we would never have got Seinfeld, but the point still stands. How many professional city planners have considered everyday life so carefully that they’ve remembered to take all the nanophysics of social awkwardness into account?

[...]

Plenty of the requirements Jacobs sets out for building a healthy and diverse urban community can be applied with real success to building a vivid and plausible fictional community. Death and Life, in other words, is a sort of accidental creative writing textbook – perhaps appropriately so, because Jacobs’s beloved West Village was itself full of writers. Early on, Jacobs says:

“Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvellous order for maintaining the safety of the and the freedom of the city. It is a complex order. Its essence is intricacy of pavement use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance.”

But the art form of the city is not really dance. The art form of the city, described so well in that passage, is the novel.

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Jane Jacobs on her book “Dark Age Ahead”

Original broadcast May 2004.

 

Jane Jacobs, visionary, activist, and guru of , talks about her last , Dark Age Ahead

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The Real Jane Jacobs: A Review of Reconsidering Jane Jacobs

2011 marks the fiftieth anniversary of the publication of the The Death and Life of Great American Cities. In this time, Jane has gone from an architectural writer and thorn in the side of to god-like status, being called Saint Jane and the Urban Goddess by many of her fans and followers.

While this adulation is fitting for a woman who—more than anybody else—changed the course of in the second half of the 20th century, it has also had some unhealthy side effects. In many ways, the ideas and writings of Jane Jacobs have become victims of their own success. Her nuanced observations have turned into a series of misunderstood and misapplied slogans. Her in-depth critiques have been turned into mirrors reflecting the positions of NIMBY’s and developers alike.

Book cover: Reconsidering Jane JacobsAs the uncritical veneration of Jane Jacobs has reached new heights in recent years while attention has returned to city cores, the publication of Reconsidering Jane Jacobs is timely. The book, published by the American Planning Association, and edited by Max Page and Timothy Mennel, aims to give such adulation pause. Its goal is to remind readers of the full range and complexity of Jacobs’ work and provides thoughtful critiques and commentary of the consequences of her ideas on today. The book explores Jacobs’ life and influences from multiple perspectives thanks to a wide range of contributions from a range of urbanists, planners, and scholars, including Thomas Campanella, Jill M. Grant, Richard Harris, Nathan Cherry, Peter Laurence, Jane M. Jacobs, and others.

In doing so, the book goes beyond a simple reconsideration. Indeed it spends little time looking at her actual work. The first half of the book contains three essays that offer biographical background and literary analyses of Jacobs’ work. The second half contains another three essays that look at and critique the impact the work has had.

Inserted between the chapter are international perspectives that illustrate how Jacobs’s writing is considered beyond the (North) American cities that her writing focused on. By the end of the book, we have new insights on her ideas from places as diverse as Australia, Buenos Aires, the Netherlands, Abu Dhabi, and  China. These international perspectives shed new light on how Jacobs’ ideas can—or can’t—be applied to cities and give us in North America new perspectives by which to consider her work.

While I didn’t agree with every essay in the book, each point put forward by it’s contributors made me think and reflect on my own relationship with Jacobs and her ideas. The points that I disagreed with most helped me see her, not simply as a two dimensional mirror of my own preconceived notions, but as a diverse and dynamic three dimensional human being, warts and all. This has strengthened not only my understanding of her life and writing, but my appreciation of it.

Perhaps most importantly, this book reminds us that Jacobs never meant for her ideas to be used to blindly proscribe or protest how cities are planned. She spent much of her career reminding us of the power of observation. Rather than using her writing to justify codifying or controlling our urban environment she tried to get us to become better listeners and enablers of authentic urbanism. As Max Page reminds us in his introduction, Jacobs opens Death and Life with a page entitled “Illustrations,” in which she wrote:

These scenes that illustrate this book are all about us. For illustrations, please look closely at real cities. While you are looking, you might as well also listen longer and think about what you see.

On the eve of the fifth annual Jane’s Walk occurring around the world, I think this is a perfect opportunity to take this advice to heart and not only reconsider Jane Jacobs, but to do so in your own cities.

Reconsidering Jane Jacobs, edited by Max Page and Timothy Mennel, published by American Planning Association/Planners Press.

 

NOTE:

In the spirit of Jacobs’ celebration of personal observation, I intentionally kept this at a high level, not touching on any essays in particular.  If you are looking for a more in-depth , here are two that you should read:

 

Disclosure:

I was provided with a free advanced copy of this book by the APA for review purposes.

 

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Jane Jacobs in the World: Celebrating 50 Years of Death and Life of Great American Cities

A Call for Papers

Jane Jacobs in the World: Celebrating 50 Years of Death and Life of Great American Cities

December 1-2, 2011
New York University

To celebrate the 50th anniversary of the publication of The Death and Life of Great American Cities, NYU and NYU Abu Dhabi are sponsoring a conference in on the global impact of Jane Jacobs’s landmark outside North from its publication in 1961 to the present day.

Organized by Hilary Ballon and Harvey Molotch, we are especially interested in papers on the reception of Jacobs’s ideas in Africa, Asia, Latin America, and the Middle East, and welcome the participation of practitioners and academicians— planners, architects, historians, geographers, etc.

Funding for travel and lodging in New York will be provided for speakers.

Please submit a one-page proposal and c.v. by July 1 to hilary.ballon@nyu.edu and harvey.molotch@nyu.edu.

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Book Review: Genius of Common Sense

Jane JacobsIn my quest to understand the life, work and impact of Jane Jacobs, I have read almost every , by or about Jane.  One book that I had put off reading was Genius of Common Sense: Jane Jacobs and the Story of The Death and Life of Great American Cities by Glenna Lang and Marjory Wunsch.  It wasn’t a priority for me, as the book is targeted to young reader and I thought it would be too basic given my knowledge of Jane and her writings.

Big mistake!

Genius of Common Sense is a  must read for anybody interested in the life and work of Jane Jacobs. While indeed meant for young adults, the clear and concise writing provides a  great introduction to the queen of . It’s a quick and easy—but nonetheless compelling—read.

The book takes you on a journey from Jane’s earliest days in Scranton, through her early days in New York to her battles with Robert Moses and the publication of Death and Life, and ultimately to her move to .  It also talks about the and instances that influenced her and her thinking. it is packed with details often overlooked in more academic texts, including her unruliness in grade school and her fascination with manhole covers.

The book includes excellent illustrations by the authors and rarely seen photographs of Jane and her family.  It concludes with excellent appendices, including a bibliography, a chronology of Jane’s live and detailed chapter notes.

Genius of Common Sense was written to bring alive the life of Jane Jacobs for any teenager wondering how s/he can make a difference in the world.  It surpasses this goal and will inspire people of all ages to get involved in their community.

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2010 Jane Jacobs Urban Communication Award Winner Announced

The Jane Jacobs Communication Book Award recognizes an outstanding that exhibits excellence in addressing issues of urban communication.  It is presented by Urban Communication Foundation, a non-profit that promotes and supports research in urban communication. The book award brings with it a $500 prize.

This year’s winner was announced on  November 15 at the National Communication Association annual conference in San Francisco. The prize went to  New Village Press Director Lynne Elizabeth and Director of the Center for the Living City Stephan A. Goldsmith for What We See: Advancing the Observations of Jane Jacobs. Elizabeth co-edited the work, and Goldsmith lead-edited as well as initially conceiving the book to honor the late Jane Jacobs.

The honor is well deserved.  What We See introduces a new generation of urban thinkers, who use Jacobs’ meditation on the urban environment as a springboard to develop their own observations and strategies to cope with contemporary urban issues. (See my full  here.) It is a fantastic read  and on my list of 10 Books every Urbanist Should Read.

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Is it time to move beyond Jane Jacobs?

Over the weekend, I came across an interesting article about a recent panel convened at the CUNY Graduate Center in  to discuss a new book by Brown University professor Samuel (“Sandy”) Zipp entitled Manhattan Projects: the Rise and Fall of Urban Renewal in Cold War New York.  Among many other things, the panel engaged in an interesting discussion on the respective legacies of Robert Moses and Jane Jacobs.

Here’s a passage from the article:

For the last few decades, it has been taken as a given by urban planners that “,” the approach to planning in the 1950s and early 60s that resulted in bulldozed , modern public housing projects, and lots of urban highways, was a bad way to go about building a city. It’s axiomatic that a better way to go about it is to make the streets better for people and worse for cars, and encourage “mixed-use” development, among other things.

In New York specifically, Robert Moses, the post-war king of roads and “slum-clearance” made infamous by Robert Caro’s The Power Broker, has come to stand for urban renewal, and Jane Jacobs, who idealized and sought to preserve the West Village, and whose Death and Life of Great American Cities is still considered a prerequisite read for students in the field, represents the reaction.

That’s the history. But the cultural and intellectual legacy of urban renewal today is something a lot more complex.

The article ends with this quote:

“We used to say we plan at the scale of Robert Moses, but we judge ourselves by the standard of Jane Jacobs,” [New York City Planning Commissioner Amanda] Burden said in her introduction. “That’s not really true anymore. We judge ourselves now by Jan Gehl’s standard.”

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Stephen Goldsmith, Editor of What We See, in Gothamist

On Tuesday,  I posted a of the What We See: Advancing the Observations of Jane Jacobs.  As I mentioned in the review, one of the books editors was Stephen Goldsmith.  At the time of the book’s publication, Stephen wrote a post for Gothamist on the life  and legacy of Jane Jacobs.  Here is what he had to say:

Illustration by Robert Cowan

Here in New York, Jane Jacobs is best remembered for killing the Lower Manhattan Expressway project, and writing “The Death and Life of Great American Cities“. Why is her work still important today? Jacobs’ work is important today because her common sense approach to city building can empower others to be the experts of their places. She was ahead of her time in many ways, and particularly her understanding of the interconnected nature of our social, environmental and economic systems. Jacobs changed the way we think about cities and understood that cities are complex eco-systems that, when functioning well are resilient, cauldrons of innovation.

who learn about her observations of the ballet of the street for instance never see our sideswalks the same again. The city becomes a stage, a place where our human interactions–both direct and indirect–animate our lives and our places. Another great example of Jacobs’ importance is the way policy makers and law enforcement personnel understand the importance of what she described as “eyes on the street.” After the failed bomb attempt in Times Square earlier this month a number of articles cited Jacobs’ wisdom, and how a couple of street vendors saved the day. Her importance is more important now than ever before because she empowers citizens to trust their instincts.

In “Death and Life”, she argued that lively mixed-used neighborhoods are the key to successful cities. If she was still alive today, what do you think she would think of the state of our city? One thing that those of us who had the privilege of time with Jacobs knew was to never second guess what she might think about anything. She was full of surprises, unexpected insight and never dogmatic. One thing I can share is that during her last visit to NYC in 2004 she remarked how vibrant she found the city to be. She came to deliver the first annual Lewis Mumford lecture at City College and filled the hall–standing room only.

Jane Jacobs’ urbanist philosophy seems to have largely been embraced by the current generation of city planners. Where do you think her ideas have had the greatest physical impact here in New York?One way to observe how her ideas are having the greatest impact, and there are many examples to be sure, are in projects such as Majora Carter’s efforts with Sustainable South Bronx , and Alexie Torres-Flemming’s work with Youth Ministries for Peace and Justice. One might even make the case that the High Line project is an outgrowth of her sensibilities.

Consider the reclamation of these abandoned, neglected places and the new life they have, the way these places have learned to become something new. Jacobs ideas have catalyzed ways of thinking about preservation, about integrated uses that even manifest themselves in such things as local manufacturers capturing downstream waste for new materials, such as Ice Stone in Brooklyn. The integrated way she viewed cities, economies, ecologies and people encourages creative responses to complex problems.

Here is the link to the original post

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Book Review—What We See: Advancing the Observations of Jane Jacobs

“You can observe a lot just by looking” —Yogi Berra.

Starting with her classic essay ‘Downtown is for People” and continuing in her seminal Death & Life of Great American Cities, Jane Jacobs transformed urban thinking by building theories around her concrete observations, not the abstract theories that had dominated post-war urban thought. Jacobs advocated an integrated form of urbanism.

Jacobs’ approach was simply.  Observe the interdependence of and structures in the city. Because of her, we think of differently. We understand that mixed-uses and pedestrian traffic are important. Few would argue these points. So what more can be said about Jane Jacobs? As it turns out, plenty.

In What We See: Advancing the Observations of Jane Jacobs, 30 essayists try to make sense of their own cities or situations in light of what Jacobs’ observed in her and other writings. The book is the joint work of the Center for the Living City and New Village Press and edited by Stephen A. Goldsmith and Lynne Elizabeth.

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With 30 authors from a variety of backgrounds, contributing essays, the reader will be exposed to at least one or two new scholars, activists and thinkers. Sure, there are some of the expected heavy-hitters the fields of planning/design such as Jan Gehl, Janette Sadik-Kahn, and Nan Ellin. But their observations are enhanced by the presence of some unique viewpoints, including a biologist, a youth minister, a playwright, and a PBS correspondent, among others.

While in another setting, this diversity could be confusing, it works here as a perfect tribute to Jane’s integrated approach to viewing the city. Indeed, these diverse voices reflect Jacobs’ observation that “it is fatal to specialize”* The extensive list of contributors mean that not only are multiple perspectives covered, but also many locations. Places such as Missoula, Toronto, Germany, and Mumbai are profiled. This captures a breadth of urban environments and dispels the notions that Jacobs’ work was only applicable to midtown Manhattan or downtown Toronto.

The essays are thoughtfully grouped into six sections: Vitality of the Neighbourhood; The Virtue of Seeing; Cities, Villages, ; The Organized Complexity of Planning; Design for Nature, Design for People; and Economic Instincts. Each section has four to six essays.

As they are too many essays to comment on each one separately here is a cross-section of some of my personal highlights that , reflect that diversity of the book:

  • The Mirage of the Efficient City,” by economist Sanford Ikeda, touches on a pet peeve of mine: the quest by city halls to create a more ‘efficient city.’ In this essay, Ikeda reminds us that cities are inefficient in a good, necessary way.
  • In “Nine Ways of Looking at Ourselves (Looking “at Cities),” social activist Arlene Goldbard gives us a toolkit to help us emulate how Jacobs approached the observations of her urban environment.
  • The Village Inside,” by urbanologists Matias Echanove and Rahul Srivastava, re-imagines the Dharavi slum of Mumbai through the eyes of Jane Jacobs. This was a provocative pierce that illustrates how Jacobs’ observations are applicable almost everywhere.
  • Architect and professor James Stockard’s essay “The Obligation to Listen, Learn, Teach—Patiently,” highlights why it is important to connect with the public on planning issues; including the dry technical ones like zoning.
  • Janine Benyus applies the lessons of biomimicry to the ideals of Jacobs in “Recognizing What Works: A Conscious Emulation of Life’s Genius,” While a biologist, Benyus has a long connection with Jacobs; she studied Jacobs’ writing while learning how to write.
  • In “When Places Have Deep Economic Histories” sociologist Saskia Sassen looks at the intersection of the knowledge economy and 21st-century urban industry, and how cities can make their past work for their future.

The only essay that fell flat for me was Clare Cooper Marcus’s discussion of planning around children, but emphasizing the cul-de-sac. While it was undoubtably made to challenge preconceived notions of the suburbs, I could not see Jacobs’e agreeing at all with her observations.

One shocking omission is the lack of a political dimension. While there were contributions from past politicians, such as David Crombie and Jaime Lerner that danced around the political—in particular Lerner’s observation that “the idea that action should only be taken after all the answers and the resources have been found is a sure recipe for paralysis”—the essay avoided any overt political commentary.

Whether this is because be because of a narrow urban focus of the editors or a more intentional decision to make the book apolitical, it is a glaring absence. Jacobs never shied away from the most contentious politic issues of her time, whether it be her public battles with Robert Moses, moving to Canada to keep her sons from being drafted to fight in Vietnam or her published book supporting Quebec separatism.

Another shortcoming of the book was the study guide. I was looking forward to using these questions for a jumping of point for a series of blog articles. However, instead of following the conversational and intimate tone of the rest of the bookand of Jane’s own writings—the questions were academic and jargon filled, more appropriate for a final exam than a book club or blog post. Moreover, the questions are lumped together at the end, making it them seem an after-thought. They would have been more effective at the end of each essay, or even each section.

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This book is timely. With the approach the 50th anniversary of Death & Life of Great , we need, more than ever, to advance our observations. Just as in 1961, we are struggling with an upheaval of how our urban areas function. The financial crisis spawned by the largely suburban mortgage meltdown has us rethinking how and where we live. The gulf oil spill highlighting the costs of even consuming domestic oil, has people talking about our addiction to the automobile.

I am amazed at how accurately she predicted much of our current situation in her last book Dark Ages Ahead. If anyone had any doubts before the global recession that Jacobs was right about the interdependence of everything, and the need for an integrated approach, they should be answered now.

At the dawn of the ‘century of the city’, we would do well to take another look at Jacobs examination of the urban environment. What We See does just that. And in doing so, it introduces a new generation of urban thinkers, who—while influenced by Jane—are developing a new generation of urban visions and strategies to cope with our new generation of urban problems.

I strongly urge you to read (and reread) this book. But, while doing so, please remember that the purpose of the of the book isn’t too simply to reflection on the observations Jane Jacobs. Rather it is to inspire each of us to advance our own observations of ‘what we see.’

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Other reviews worth reading:

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See Cities As Jane Jacobs Did

While I will be writing my own of the What We See: Advancing the Observations of Jane Jacobs,” I thought that this review from Treehugger was worth highlighting:

Sometimes the biggest frustration for those of us craving green, healthy, and vibrant cities, is how slow progress can appear, and how seemingly huge the task. To be reminded of the what really makes thrive and be alive, pick up What We See – rather than a tribute to renowned urban thinker Jane Jacobs, this book keeps in motion a conversation Jacobs started back in 1961 with her seminal book The Death and Life of Great American Cities.

The 30 essays in What We See show the expanding extent of Jacobs’ legacy and also offer hope that while there will always be more to do, the dance of competing cultures and ideas in cities that Jacobs called “ballet of the streets” is alive and well, and possibly poised to be greener than ever.

Read the whole thing here.

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